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  • Creator(s):
    G. Massiot & cie
    Description:

    Center circle is top of sunken rotunda with Napoleon’s tomb below. In 1676 he was commissioned to build the church of the Hôtel des Invalides, after Libéral Bruand, who designed the rest of the complex, failed to produce a satisfactory scheme. For this almost monastic establishment for disabled soldiers, Hardouin Mansart created a bipartite building: the first part [Église St-Louis], a nine-bay nave for the pensioners, has a barrel vault and side aisles with tribunes opening through flatt…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    Former Benedictine priory church, dedicated to St Nicholas of Tolentino, near Bourg-en-Bresse, Burgundy, France. Situated on an important road linking the northern provinces with Italy, the church was built by Margaret of Austria, who secured the services of artists from the south Netherlands, Burgundy, Italy and France. It is notable for its surviving rood screen and richly carved choir-stalls (1530-1532), executed by Pierre Berchod (called Terrasson). Margaret, her third husband Philibert I…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    The tomb of Margaret of Bourbon is related to a widespread late medieval type: her effigy, watched by angels, lies on a sarcophagus decorated with weepers, with a greyhound (symbol of fidelity) at her feet, the whole fitted into a recess in the south wall of the choir screen.

    Former Benedictine priory church, dedicated to St Nicholas of Tolentino, near Bourg-en-Bresse, Burgundy, France. Situated on an important road linking the northern provinces with Italy, the church was built by Margaret …

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    This statue has been moved from the crypt to a side chapel of the nave and assembled into one monument to Louis XVI and Marie-Antoinette.

    The change during the Renaissance in attitudes towards the affirmation of the individual is reflected in the later royal tombs at Saint-Denis. As with the medieval tombs, some were commissioned for the abbey, while others were brought in at a later date from their original places in various Paris churches, having been dismantled during the Revolution and r…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    Commissioned by Francis I in 1516, was completed only in 1531. Possibly designed by Guido Mazzoni or Jean Perréal, it shows signs of an attempt to combine the French and Italian traditions in a monumental style. The two naked recumbent figures of the King and Queen, visible through the arcading of the superstructure, were placed beneath representations of the royal couple shown kneeling at prayer on top of the monument. These strikingly realistic figures are attributed to Guillaume Regnault (…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    This statue has been moved from the crypt to a side chapel of the nave and assembled into one monument to Louis XVI and Marie-Antoinette.

    The change during the Renaissance in attitudes towards the affirmation of the individual is reflected in the later royal tombs at Saint-Denis. As with the medieval tombs, some were commissioned for the abbey, while others were brought in at a later date from their original places in various Paris churches, having been dismantled during the Revolution and r…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    Commissioned by Francis I in 1516, was completed only in 1531. Possibly designed by Guido Mazzoni or Jean Perréal, it shows signs of an attempt to combine the French and Italian traditions in a monumental style. The two naked recumbent figures of the King and Queen, visible through the arcading of the superstructure, were placed beneath representations of the royal couple shown kneeling at prayer on top of the monument. These strikingly realistic figures are attributed to Guillaume Regnault (…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    Commissioned by Francis I in 1516, was completed only in 1531. Possibly designed by Guido Mazzoni or Jean Perréal, it shows signs of an attempt to combine the French and Italian traditions in a monumental style. The two naked recumbent figures of the King and Queen, visible through the arcading of the superstructure, were placed beneath representations of the royal couple shown kneeling at prayer on top of the monument. These strikingly realistic figures are attributed to Guillaume Regnault (…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    Of the vast collection of sculptures planned for this work and entrusted by Primaticcio to Germain Pilon in 1560, the only pieces that have survived are this tomb (imperfectly reconstructed by Viollet-le-Duc). The tomb itself, completed in 1573, took the form of a temple guarded by four large figures representing the Cardinal Virtues, elegant works in bronze, executed in 1565 by Pilon and Jacquiot Ponce. Inside the temple lie the effigies, represented naked; while adhering to the tradition es…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    Commissioned by Francis I in 1516, was completed only in 1531. Possibly designed by Guido Mazzoni or Jean Perréal, it shows signs of an attempt to combine the French and Italian traditions in a monumental style. The two naked recumbent figures of the King and Queen, visible through the arcading of the superstructure, were placed beneath representations of the royal couple shown kneeling at prayer on top of the monument. These strikingly realistic figures are attributed to Guillaume Regnault (…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    A red porphyry sarcophagus in a sunken rotunda under the central dome

    In 1676 he was commissioned to build the church of the Hôtel des Invalides, after Libéral Bruand, who designed the rest of the complex, failed to produce a satisfactory scheme. For this almost monastic establishment for disabled soldiers, Hardouin Mansart created a bipartite building: the first part [Église St-Louis], a nine-bay nave for the pensioners, has a barrel vault and side aisles with tribunes opening through flatt…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    In 1676 he was commissioned to build the church of the Hôtel des Invalides, after Libéral Bruand, who designed the rest of the complex, failed to produce a satisfactory scheme. For this almost monastic establishment for disabled soldiers, Hardouin Mansart created a bipartite building: the first part [Église St-Louis], a nine-bay nave for the pensioners, has a barrel vault and side aisles with tribunes opening through flattened arches, following 17th-century French models. The second part, bey…

    Date Created:
    1910-01-01
    Record Visibility:
    Public