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  • Creator(s):
    G. Massiot & cie
    Description:

    The cupola was probably not included on Michelangelo’s 1547 model, and it was not until 1558 that the carpenters began work on the larger-scale model (1:5; Rome, Vatican, Mus. Stor. A. Tesoro S Pietro) for the drum and dome, which Michelangelo justifiably felt to be the last task of his life (he was then 83). Whereas Bramante and Antonio da Sangallo (ii) had favoured an all'antica single-shell dome, Michelangelo’s was to be composed of two hemispherical shells. His starting-point …

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    The Mausoleum of Hadrian, usually known as the Castel Sant'Angelo, is a towering cylindrical building in Rome, initially commissioned (and actually designed) by the Roman Emperor Hadrian as a mausoleum for himself and his family. The building was later used as a fortress and castle, and is now a museum. Originally the mausoleum was a decorated cylinder, with a garden top and golden quadriga. Hadrian’s ashes were placed here a year after his death in Baiae in 138. Following this, the r…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    In 1535, Pope Clement VII allocated the toll income of the bridge to erecting the statues of the apostles saint Peter and Saint Paul.

    The famous Ponte Sant'Angelo (pedestrians only), the ancient Pons Aelius or Pons Adrianus, was built by Emperor Hadrian in 134 AD as a fitting approach from the Campus Martius to his mausoleum, known since the Middle Ages as the Castel Sant'Angelo. Although the Roman bridge was decorated with statues, it was transformed by Gian Lorenzo Bernini when he …

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    The center three spans are original Roman.

    The famous Ponte Sant'Angelo (pedestrians only), the ancient Pons Aelius or Pons Adrianus, was built by Emperor Hadrian in 134 AD as a fitting approach from the Campus Martius to his mausoleum, known since the Middle Ages as the Castel Sant'Angelo. Although the Roman bridge was decorated with statues, it was transformed by Gian Lorenzo Bernini when he designed the ten statues on the balustrade of angels holding the symbols of the Passion. Th…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    The sculptures of the rulers of Naples are visible in the niches on the facade.

    [It is one of the four residences used by the Bourbon Kings of Naples during their rule of the Kingdom of Two Sicilies (1730-1860).] The most important royal building scheme of the early 17th century was the completion of the Palazzo Reale by Domenico Fontana and his son Giulio Cesare Fontana ( fl 1593-1627) at the centre of the city. After a first stage of building in 1600-1602, it was continued after Domenico&#…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    The western façade side of the building (fronting on Piazza del Plebiscito) now displays a series of statues of the rulers of dynasties to rule Naples since the foundation of the Kingdom of Naples in the twelfth century.

    [It is one of the four residences used by the Bourbon Kings of Naples during their rule of the Kingdom of Two Sicilies (1730-1860).] The most important royal building scheme of the early 17th century was the completion of the Palazzo Reale by Domenico Fontana and his son Giu…

    Date Created:
    1910-01-01
    Record Visibility:
    Public
  • Creator(s):
    G. Massiot & cie
    Description:

    The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street, three bays wide and one bay deep. The arches rest on clustered pilasters with Corinthian capitals. 16th century additions are by Bernardo Buontalenti; medallion decoration by Agnolo Gaddi. After the construction of the Uffizi at the rear of the Loggia, the Loggia’s roof was modif…

    Date Created:
    1910-01-01
    Record Visibility:
    Public