Porta Pia: Overall view, internal or "city side" facade



Michelangelo’s most wilfully eccentric secular design was the Porta Pia (1561-1564). The function of this city gate was to terminate the vista from the Quirinal to the Aurelian walls down Pius IV’s new street the Strada Pia, which was then lined with villas and gardens. In it Michelangelo combined elements of Medieval and Renaissance city-gate tradition with ideas derived from garden and festival architecture, as well as his own rich invention. Thus joky castellation, remnants of rustication and the Doric order are used as metaphors for strength, while the main portal evolved through a series of extraordinary drawings (Corpus, 614-621), superimposing and metamorphosing one solution over and into another. The result is a compendium of all the most fantastic elements of Michelangelo’s architectural vocabulary-broken pediments, swags, masks, displaced fragments of the orders, overlapping planes and juxtaposed façades and profiles.


Attribute NameValues
  • G. Massiot & cie

  • Gates

  • Architecture

Date Created
  • 1910-01-01

Date Digitized
  • 2007-01-01

Cultural Context
  • Mannerist (Renaissance-Baroque style)

Place of Creation
  • Rome

  • Rome, Lazio, Italy: Gate in the Aurelian Walls, terminus of the Via Pia

  • +41.909167+12.501111

Departments and Units
Member of
Temporal Coverage
  • before or circa 1910

Record Visibility Public
Content License
Use Permissions
  • To view the physical lantern slide, please contact the Architecture Library.


Collections Featuring this Image
Architectural Lantern Slides of Italy


Please Note: You may encounter a delay before a download begins. Large or infrequently accessed files can take several minutes to retrieve from our archival storage system.