A World of Her Own

Master's Thesis
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Abstract

“An Artist’s job is to point at things” - Miranda July

In the aftermath of the 2016 election, my practice shifted in response to contemporary gender politics. In my current and ongoing body of work, I examine contemporary socially constructed notions of identity through the lens of the “female gaze.” The female gaze was coined by Jill Soloway in response to Laura Mulvey’s theory of “the Male Gaze,” where cinematic depictions of women are seen as the objects of male pleasure. The female gaze is an alternative way of seeing and representing everyone as a subject. This acknowledges that everyone has their own complicated narrative. I aim to question and subvert gender hierarchies through both humor and vulnerability. In my recent work, I use fanciful, intricate porcelain mirror frames, candelabras, and miscellaneous vessels that merge iconography from antiquity, with Rococo, Pop, and Surrealism infused with contemporary feminist themes, sprinkled with allusions of dime-store kitsch. I aim to reference imagery and structures that are associated with the feminine, domestic, and even grotesque or monstrous, to explore the constructed and idealized world of femininity. I want to create a speculative headspace that questions our contemporary notions of taste, beauty, value and gender. As a society, we have limited views of power. I hope to broaden these views by gathering imagery across cultural lines and histories that explore the subjugation of the female body and create decorative quasi-functional sculptures that offer a remixed interpretation of utopia or rather an alternative reality. In 2016 American television creator, show runner, director and writer, Jill Soloway, coined the term the female gaze, “I think the female gaze is a way of “feeling seeing”. It could be thought of as a subjective camera that attempts to get inside the protagonist, especially when the protagonist is not a Chismale. It uses the frame to share and evoke a feeling of being in feeling, rather than seeing – the characters.”

Attributes

Attribute NameValues
Author Jen Dwyer
Contributor Mary Celeste Kearney, Committee Member
Contributor Maria Tomasula, Committee Member
Contributor William Kremer, Research Director
Contributor Ann-Marie Conrado , Committee Member
Degree Level Master's Thesis
Degree Discipline Art, Art History, and Design
Degree Name Master of Fine Arts
Banner Code
  • MFA-ARST

Defense Date
  • 2019-04-08

Submission Date 2019-04-04
Record Visibility and Access Public
Content License
  • All rights reserved

Departments and Units
Catalog Record

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