Alessandro Blasetti's Cinema and the Fantastic: A Re-Evaluation of the Unmarried Woman

Master's Thesis

Abstract

Benito Mussolini—Il Duce—once exalted cinema as “l’arma più forte”, or the fascist regime’s strongest weapon for promoting its ideologies and carrying out political agendas. One such agenda included Mussolini’s desire to restore the patriarchy in the face of modernity. The campaign sought to nationalize women through their procreative abilities. A number of early 1930s films directed by Alessandro Blasetti, a prominent fascist cineaste, reinforced the traditional gender roles. However, this campaign—both in Blasetti’s later cinema and in general fascist policy—was far from straightforward. In fact, there is a tangible shift in Blasetti’s treatment of women in the later half of the 1930s, especially in his fantasy films.This paper explores how Blasetti utilized the fantastic genre to maneuver around the established policy towards women, blurring gender lines and subtly challenging fascist authority.

Attributes

Attribute NameValues
Author Genevieve C. Lyons
Contributor Zygmunt Barański , Research Director
Degree Level Master's Thesis
Degree Discipline Romance Languages and Literatures
Degree Name MA
Defense Date
  • 2018-04-09

Submission Date 2018-04-09
Record Visibility and Access Public
Content License
  • All rights reserved

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