In an age of highly refined special effects and manicured filmic experiences, Totò’s artistic contribution is still cherished within Italian culture. As such, his copious movie production with its contagious entertainment value has been consistently able to appeal to trans-generational and trans-cultural audiences. Sadly, though treasured by his compatriots, Totò has not won the proper exposure and appreciation within the field of Italian Cinema studies outside of Italy and, in particular, in the United States. Such a failure is probably owed to the controversial attitude cinema critics have adopted towards Totò’s artistic production over the past few decades. Given such a gap in scholarship, the time is now mature to introduce a profile of the Neapolitan artist in order to highlight his contribution to the Italian culture. Ultimately, the present work aims at sparking the interest of American film scholars and at prompting more in-depth research on Totò as an Italian filmic and cultural icon.
Il Divo Dei Poveri: Totó’s Journey from Rags to Fame
Master's Thesis
Abstract
Attribute Name | Values |
---|---|
Author | Vittoria Luchini |
Advisor | John P. Well |
Degree Level | Master's Thesis |
Degree Discipline | Romance Languages and Literatures |
Degree Name | Master of Arts |
Defense Date |
|
Submission Date | 2015-04-17 |
Publisher |
|
Language |
|
Record Visibility | Public |
Content License |
|
Note |
|
Departments and Units |
Digital Object Identifier
This DOI is the best way to cite this master's thesis.
Files
Thumbnail | File Name | Description | Size | Type | File Access | Actions |
---|---|---|---|---|---|---|
|
IlDivoDeiPoveri.pdf | 466 KB | application/pdf | Private |
At the request of the author, this Master's Thesis is not available to the public. You may request permission to view this file from the Publications Manager of the Graduate School. |
1 entry found