In an age of highly refined special effects and manicured filmic experiences, Totò’s artistic contribution is still cherished within Italian culture. As such, his copious movie production with its contagious entertainment value has been consistently able to appeal to trans-generational and trans-cultural audiences. Sadly, though treasured by his compatriots, Totò has not won the proper exposure and appreciation within the field of Italian Cinema studies outside of Italy and, in particular, in the United States. Such a failure is probably owed to the controversial attitude cinema critics have adopted towards Totò’s artistic production over the past few decades. Given such a gap in scholarship, the time is now mature to introduce a profile of the Neapolitan artist in order to highlight his contribution to the Italian culture. Ultimately, the present work aims at sparking the interest of American film scholars and at prompting more in-depth research on Totò as an Italian filmic and cultural icon.